Blog posts about cello, music, technology and other stuff
(Slovenščina) Obvezna skladba 50. tekmovanja mladih glasbenikov Republike Slovenije, v kategoriji violončelo 1.a.
Skladbo lahko najdete v notni zbirki in učbeniku Pesmi za moj čelo.
Za naročilo kontaktirajte trgovino Muzikalije v Ljubljani na 01 241 82 80.
(Slovenščina) Lahko smo ponosni na tradicijo javnega glasbenega šolstva pri nas, ki je bilo leta 1816 eno izmed prvo ustanovljenih na svetu. Danes javno glasbeno in baletno šolo obiskuje preko 25.000 učencev in poleg vrhunskih rezlutatov, ki so nam lahko vsem v ponos, predstavlja dodano vrednost celotnega šolstva v Sloveniji.
90-članski simfonični orkester, ki ga sestavljajo učenci 54 glasbenih šol v Sloveniji. Zaigrali so Slavnostno uverturo 2016 Črta Sojarja Voglarja in Peer Gynt Edvarda Griega. Foto: Davorin Dolinšek.
Znano je, da urjenje v veščinah glasbe in plesa izmed vseh aktivnosti najbolje vpliva na razvoj kognitivnih in kreativnih sposobnosti posameznika.
V procesu glasbenega in plesnega izobraževanja vzgajamo tudi širše in univerzalno vzorne lastnosti: vestnost, odločnost, vztrajnost, odgovornost, skupinsko in povezovalno delo, kreativnost, čutnost, izraznost, javno nastopanje, občutek za estetiko in kvaliteto, čutno zaznavanje in ostale obče človeške kvalitete.
Javno glasbeno šolstvo je v zadnjih letih vzgojilo mnoge vrhunske glasbenike, ki ponazarjajo sam vrh svetovne glasbene umetnosti. Naj jih naštejem samo nekaj:
In mnogi drugi.
Na osrednji slovesnosti ob 200-letnici glasbenega šolstva v Sloveniji so v Cankarjevem domu pod vodstvom Simona Krečiča nastopili 90-članski združeni orkester slovenskih glasbenih šol, 65-članski združeni orkester konservatorijev za glasbo in umetniških gimnazij ter Orkester Akademije za glasbo v Ljubljani. Foto: Urad predsednika RS
Učenci, ki obiskujejo oz. so obiskovali glasbeno ali baletno šolo, so nadpovprečno uspešni pri splošnem učnem uspehu in ostalih izven-šolskih aktivnostih. Lahko bi tudi rekli, da je samo nekaj letno urjenje v veščinah glasbe oz. plesa pokazatelj kasnejše uspešnosti in zadovoljstva posameznikov, ki v veliki meri pogojuje kvaliteto življenja in dobrobit (so)bivanja celotne družbe.
Predsednik države Borut Pahor je ob osednji slovesnosti v Cankarjevem domu podelil tudi srebrni red za zasluge, ob odlikovanju pa zapisal: “Ima spoštljivo dvestoletno tradicijo, je dobro organizirano ter s svojim sistematičnim, strokovnim in predanim delovanjem ohranja in uveljavlja slovensko glasbeno identiteto, spodbuja našo glasbeno ustvarjalnost, izobražuje ljubiteljske glasbenike in baletnike, pa tudi vrhunske umetnike.”
Predsednik Borut Pahor in predsednik Zveze slovenskih glasbenih šol, Boris Štih. Foto: Urad predsednika RS
Besides well known Eurovision Song Contest, where the music itslef plays an obscure role, we luckily have Eurovision Young Musicians, where young classical musicians present themselves to a wide European audience. This years’ (2016) contestant from Slovenia was a very talented 18 year old cellist, Zala Vidic, studying at Music Conservatory in Ljubljana by prof. Karmen Pečar.
You can see her Eurovision “postcard”, concert recording and a short clip from RTV Slovenia below.
Congratulations to Zala and her Mentor Karmen!
Simmilar: Other Successful Slovenian European Young Musicians Contestants
I am very happy to announce, that one of the leading Slovenian composers Črt Sojar Voglar has written wonderful little concert pieces for young cellists, entitled “Songs for my Cello”.
As a cello teacher I can say, that there has always been a lack of these kind of compositions and this contribution will certainly be a significant one.
Compositions come with live recordings and short preparatory exercises, so the young cellist can develop proper hearing perception and master the technical difficulties.
The Pieces were originally written for his daughter Eva, who is currently an aspiring young cellist herself.
Originally, the pieces were titled “Song for Eva no.1 etc.”, and after the authors consent, I added a bit more imaginative titles, so the young cellists could use their imagination and relate to the pieces on a more personal level.
You can read more about Črt Sojar Voglar.
“Does nowadays each composer create music? No. Should he? Not necessarily. However, he should be attentive to the definition of the word “music” itself. It can by no means encompass all sounds that surround us. From the beginning of time to the present day music has featured three principal foundations without which it cannot exist: melody, rhythm and harmony. Whoever does not use of these elements, does not write music, although he is creating something – composing. How can we today make use of these very elements originally as possible, without falling into the trap of too exaggerated eclecticism or mere experimenting? (trans. Marina Horak)
The principal content of my music is a test of listener’s psychological understanding of sonic colours. In theoretical sense, my music is dissonant. However, it is accessible to most of the listeners. I favor short, condensed forms and try to create as much inner drama to give the listener intense musical experience.”
Quote from: www.crt.sojar.voglar.si
Contestants from Slovenia, Eurovision Young Musicians.
Congratulations to the young classical musicians, their teachers and mentors.
These are clearly one of the manny achievements of Slovenian music school education system.
Video link to the core of the Study, perfomed at Cambridge University.
Musicians may be most creative ‘when not actually playing instrument’ – The Guardian
Practising log is a very effective tool for monitoring every day practise. Writing down ideas, feelings and tweaks and reading them the next day can help achieve your goals faster.
